Ideally, I would present this on the wall printed on tracing paper, or in an interesting dark space and the use of light through cut out text perhaps???
This idea really plays on the aspect of immateriality and delicacy. It is another attempt to develop my ideas in a different direction to the work that I found to be very similar to Alison Carlier's. The sound pieces are short improvisations based on the visual appearance of the drawing. I used a contact microphone to record rather than a normal microphone becasue it relates better to this idea of embodiment that I personally experience whilst creating the drawings. Also, I like the sound aesthetic of the hammers and sustain pedal actually moving inside the piano.
Similarly to the shadow piece, I feel that this works, but I need much more time to fully develop it and make it a more solid piece... only 3 days until assessment so I don't think I can fully pull out the potetial of these delicate piano improvisations to the drawings to the best of my ability in such a short time.