I think approaching/understanding/creating political art can be a tricky task. I noticed that the Biennial was very politically driven in Liverpool this year and some of it was very effective because of its relatable use of humour, whereas I sometimes find political art perhaps a bit distasteful and it leaves me wondering why artists feel the need to take on ideas or themes that aren't necessarily their stories to tell. The LICA200 course made me more aware of this last year when we discussed the differences between appropriation and appreciation.

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Not to say that I think politically motivated art can't be done or shouldn't be done - I absolutely believe it should, but it should be approached subtly and sensitively. 

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The assemble projet

Marvin Gaye Chetwynd Dogsy MaBone